Renée (Taylor)

Ngāti Kahungunu

1929 - 2023



Renée was born in Napier and attended school up till the age of thirteen when she began working in the woollen mills at Pandora Point and later at a printing company. At the age of thirty-eight she began an extra-mural arts degree through Massey University and graduated with a B.A. from Auckland University in 1979. She has written plays, novels, short stories, television scripts, works for radio and has worked as a journalist and script assessor.

Renée conducted many writing workshops. From 1982-2003 she was creator, director and tutor of Your Life, Your Story for WEA and the Cancer Society annual workshops. She taught drama at the University of Otago Drama Department and also taught drama and fiction writing at the University Extension Creative Writing School in Dunedin. She lectured in the use of history in drama, New Zealand drama, writing for the theatre, and assessing creativity.

In 2004 she was a tutor for Whitireia Community Polytechnic Graduate Diploma Writing and for a Huia Publishers Writing Workshop at Hongoeka Marae. She continued tutoring the Your Life, Your Story workshops for Cancer Society and was a member of Te Ha’s ‘On the Bus’ reading tour.

Renée received various awards and grants for her writing including the NZ Literary Fund Merit Award in 1986, the University of Otago’s Robert Burns Fellowship in1989, Scholarship in Letters from QEII Arts Council in 1993, University of Waikato’s Writer’s Fellowship in 1995, and various Creative New Zealand and QEII Arts Council grants to assist in the writing of new work. She was awarded the New Zealand Order of Merit ad Ngā Tohu ā Tā Kingi Ihaka for a lifetime contirbution to toi Māori. She received a Playmarket Award for a significant artistic contribution to theatre and the Prime Minister's Award for Literary Achievemnt in Fiction.

Renée was a member of the NZ Book Council, the Broadsheet Collective, PEN Otago/Southland and was a Programme Director and Vice President of the Globe Theatre in Dunedin.

She was a featured speaker at Literary Festivals including keynote speaker at the First International Women Playwrights Conference in Buffalo, New York in 1988, Keynote Speaker at the 3rd International Women Playwrights Conference in Adelaide, Australia in 1995 and she was a member of Words On Wheels (WOW) Tour for the NZ Book Council in 1992. She presented the Pānui for Read NZ Te Pou Muramura in 2021.

Renée wrote nine novels, eighteen plays, a collection of short stories, two children’s books, one text-book on writing plays, one collection of comic writing and a collection of essays. She published non-fiction articles and reviews in various newspapers and journals including Free Lance, The Mirror, and Hawkes Bay Herald Tribune. She also wrote a weekly column in a Wairoa paper for eighteen months. Renée wrote episodes for Open House and for Country GP and wrote book reviews.

In 2002 Renée attended Nga Pukenga Tuhi – a fiction writing workshop - held at Hongoeka Marae and Diving into the Deep – a workshop for experienced writers held in Coromandel. Other workshops she participated in were Between One Breath and the Next, The Valiant Voice, Daffydowndilly ’98 (for the Cancer Society), I was there (workshops on writing Memoirs), and workshops with WEA, Continuing Education, Te Waka Toi, Wanaka Autumn Arts School, and Otago University Summer School as a tutor.



Biographical sources

  • Correspondence with Renée, 19 Aug. 1998 and 13 August 2004.
  • Te Ha questionnaire, 1992.
  • Wahine Kaituhu Women Writers of Aotearoa
  • McCurdy, Claire-Louise. "Feminist Writer Renée: All Plays Are Political." Women's Studies Journal 1.2 (Apr. 1985): 61-72.
  • Ngā Kupu Wero. Ed. Witi Ihimaera. New Zealand: Penguin Random House New Zealand, 2023. 358.

    Fiction

  • "The Last Stand." Arena 53 (Autumn 1960): 12-16.
  • Under Henry Marks' cloak of religious respectability is a harsh, cruel nature which slowly and ruthlessly destroys the personality and life of his wife Grace.
  • "Cross Stitch." In this Bitter Season... A collection of poetry and fiction by Womenspirit - a group of Auckland Women Writers. Auckland, N.Z.: Womenspirit, 1983. 56-62.
  • The narrator gets sick of being on side with the teacher and offside with her peers.
  • "Solo." ibid. 63-67. Rpt. in Finding Ruth. Auckland, N.Z.: Heinemann, 1987. 33-38.
  • When the young narrator mistakenly sings a popular pop song at the church meeting she earns the approval of her non-church attending mother.
  • "Teacher's Pet." Finding Ruth. Auckland, N.Z.: Heinemann, 1987. 7-14.
  • A story about Ruth's attempts to subvert the 'teacher's pet' label after excelling at school.
  • "Captain Jinks." Finding Ruth. Auckland, N.Z.: Heinemann, 1987. 15-23.
  • A story about the visit of Mr Abbott to Ruth's home and the subsequent discovery of the importance of the arts.
  • "Oranges and Peaches." Finding Ruth. Auckland, N.Z.: Heinemann, 1987. 25-32.
  • In this story chronicling the poverty of the Depression period, Ruth puzzles over her mother's double standards regarding theft. She has one rule for people who steal because they’re hungry and another for those who steal for profit.
  • "Mothers and Daughters." Finding Ruth. Auckland, N.Z.: Heinemann, 1987. 39-49.
  • This story explores aspects of parent-child relationships and the confusion facing children when a parent dies.
  • Finding Ruth. Auckland, N.Z.: Heinemann, 1987.
  • A collection of six short stories (see above) which are accounts of incidents in the life of eleven year old Ruth growing up in the Depression with her widowed mother. The stories focus on Ruth's world living with a mother who has known tragedy and is obsessed with the good behaviour of her daughter.
  • "The Shift." ibid. 51-60. Rpt. in Te Ao Mārama: Contemporary Māori Writing. Comp. and ed. Witi Ihimaera. Contributing ed. Haare Williams, Irihapeti Ramsden and D. S. Long. Vol. 1: Te Whakahuatanga O Te Ao: Reflections of Reality. Auckland, N.Z.: Reed, 1992. 161-166.
  • Ruth describes her experiences moving house with her mother nine times during her primary school years amidst the background of impending war.
  • Willy Nilly. Auckland, N.Z.: Penguin, 1990. Two extracts rpt. in Te Ao Mārama: Contemporary Māori Writing. Comp. and ed. Witi Ihimaera. Contributing ed. Haare Williams, Irihapeti Ramsden and D. S. Long. Vol. 1: Te Whakahuatanga O Te Ao: Reflections of Reality. Auckland, N.Z.: Reed, 1992. 167-176.
  • A fast-paced comic novel exploring what happens when Polly, daughter of lesbian Sonja, wants a conventional wedding.
  • Daisy and Lily. Auckland, N.Z.: Penguin, 1993. Two extracts rpt. in Te Ao Mārama: Contemporary Māori Writing. Comp. and ed. Witi Ihimaera. Contributing ed. Haare Williams, Irihapeti Ramsden and D. S. Long. Vol. 1: Te Whakahuatanga O Te Ao: Reflections of Reality. Auckland, N.Z.: Reed, 1992. 176-181.
  • This novel, set amidst the drag queen world of K. Road and the lesbian community in the period from the 1940s to 1980s, records the life story of sixty-year-old Daisy and her emerging recognition of her lesbian and Māori identity. The story is composed of a series of flashbacks linked by the mystery of Uncle Auntie's death and highlights dysfunctional relationships, infidelity, brutality, and the reunification of Daisy and Lily.
  • "Old Movies." Hero Paper, 1994. No further details.
  • "Rarely Pure And Never Simple." Metro (Auckland) 163 (Jan. 1995): 94-98.
  • Does This Make Sense To You? Auckland, N.Z.: Penguin, 1995.
  • A powerful depiction of the harsh treatment meted out to unmarried mothers in New Zealand in the 1960s. The novel is composed of a series of narrative letters in which Flora recounts her story to her daughter Chloe. This was abridged and produced by Word Pictures Ltd, NZ, read by Elizabeth McRae, and broadcast on National Radio in September 1996. The option for film rights was bought by South Pacific Pictures in 1997.
  • I Have to Go Home. Auckland, N.Z.: Puffin, 1997.
  • ‘Sweet Pea has a secret plan to sort out her life - but how will she tell her grandmother?’ This is a Puffin novel for readers aged 10-12.
  • The Snowball Waltz. Auckland, N.Z.: Penguin, 1997.
  • Renée writes: ‘Set in imaginary Porohiwi, this novel looks at the tensions and conflicts of an East Coast town and its people when the local theatre plans a show celebrating the 50th anniversary of VE Day.’
  • The Skeleton Woman. Wellington, N.Z.: Huia, 2002.
  • Kissing Shadows. Wellington, N.Z.: Huia, 2005. Extract rpt. in Get On The Waka: Best Recent Māori Fiction. Ed. with intro. By Witi Ihimaera. Auckland, N.Z.: Reed Books, 2007. 146-152.
  • Films/Video

  • "Beginnings and Endings." Open House. Episode 4.
  • "Strings." Open House. Episode 10.
  • "Sheppard Street." Open House. Episode 13.
  • A film treatment of The Butcher's Shop by Jean Devanny. Commissioned by McAllister Productions, 1984.
  • "Husbands and Wives." Country GP. Episode 59, 1985.
  • "Journeys." Open House. 1985, 1986. Episode 29.
  • Scripts to second draft of Story of a New Zealand River by Jane Mander. Commissioned by Hibiscus Films, 1987.
  • The Secret. Produced and directed by Diana Rowan. Focus Films, 1987.
  • Film adaption of Renée’s play, Secrets.
  • [Episodes 3 and 4 of the second series].1987, 1988.
  • Written under the pseudonym of Jane Forrest.
  • Non-fiction

  • "Feminists' Impress." In 'Behind the News.' Broadsheet 103 (Oct. 1982): 6-11.
  • A report on the formation of New Women's Press with brief notes on the first works to be published by the press.
  • "Sometimes We’re Weak And Sometimes We’re Stong and Sometimes It Seems We Can’t Get Along But Nevertheless We’ve Got Work To Do!" In 'Behind the News.' Broadsheet 103 (Oct. 1982): 38-40.
  • "The Godmothers." Broadsheet 103 (Oct. 1982): 46.
  • "What Did You Do In The War, Mummy? - Broadsheet's Roadshow." Broadsheet 103 (Oct. 1982): 38-40.
  • A descriptive account of the two-week Broadsheet Roadshow which performed Renée's "What Did You Do In The War, Mummy?" throughout New Zealand. Renée highlights the themes of the play, and records the responses of the women-only audiences.
  • "On the Road." Broadsheet 111 (July/Aug. 1983): 34-37.
  • Renée discusses issues raised by feminists during the 1983 Broadsheet Roadshow "Asking For It" and writes personal reminiscences of the tour.
  • "Change of Life." Broadsheet 114 (Oct. 1983): 8-11.
  • Renée writes about her personal experience with menopause, dispels the secrecy and misconceptions surrounding menopause and discusses other important changes that occurred in her life at this time.
  • "Arts Council Theatre Policy Debate: We Need More Than Words: QEII Could Be Innovative In Its Decisions." Merrill Coke. Act 10.1 (Feb. 1985): 2-3.
  • Renée is quoted in this article.
  • "Theatre and Politics." Landfall 153 39.1 (Mar. 1985): 14-17.
  • Renée writes of the complexity of decisions faced by a playwright during the process of writing a play, and the underlying issues which declare the politics, gender and racial proclivities of a writer.
  • "Obituary." Broadsheet 135 (Dec. 1985): 2-3.
  • "Renée On Writing." In ‘Schools Supplement.’ Act 11.3 (June 1986): 29-33.
  • "No Skeletons Under The Table." Broadsheet 162 (Oct. 1988): 15-16.
  • "Listen To This." Listener 17 Sept. 1990: 108.
  • Various New Zealand women writers discuss books that were significant in their lives.
  • "Understanding The Difference." Listener 17 Oct. 1992: 44-45.
  • "Passing It On." Quote Unquote 7 (Dec. 1993): 28-31.
  • Stephanie Johnson and Renée talk about Renée’s novels.
  • "Poodle, Valerie Rose & Jimmy-the-Pumpkin." Cherries on a Plate: New Zealand Writers Talk About Their Sisters. Ed. Marilyn Duckworth. Auckland, N.Z.: Random House, 1996. 246-270.
  • Let’s Write Plays. Auckland, N.Z.: Macmillan, 1998.
  • A textbook for Forms 3-5.
  • Yin and Tonic: Comic Writing. Auckland, N.Z.: Vintage, 1998.
  • Your Life, Your Story: Create Your Own Memoir: A Practical Guide. Lower Hutt, N.Z.: R & B, 1999.
  • "This Writer’s Survival Recipe." Playmarket News 38 (Spring 2006): 11.
  • These Two Hands: a memoir. Wellington: Mākaro Press, 2017.
  • Other

  • Hall, Sandi. "Writing the Wrongs." Broadsheet 98 (1982): 33.
  • Black, Sebastian. "New Zealand Plays, Playwrights and Theatres: First Productions, Jan-Oct 1982." JNZL Journal of New Zealand Literature 1 (1983): 5-15.
  • Suddens, Doreen. "Asking For It." Broadsheet 109 (Apr. 1983): 36.
  • Black, Sebastian. "Aggressive Elements: New Zealand Theatre in the 1980’s." New Literature Review 13 (1984): 15-16.
  • "Feminist Writer Renee: All Plays are Political." Women’s Studies Journal 1.2 (Apr. 1984): 61-72.
  • "Renée Taylor." Celebrating Women, New Zealand Women and Their Stories. Prod. Mediawomen. Whatamongo Bay, N.Z.: Cape Catley, 1984. 98-100.
  • Thompson, M. "Promise and Frustration: New Zealand Playwriting Since 1975." Australasian Drama Studies 3.1 (Oct. 1984): 122-128.
  • Carnegie, D. "Recent New Zealand Drama." JNZL: Journal of New Zealand Literature 3 (1985): 7-15.
  • Hall, Sandi. "Reinforcing Women’s Rise." New Zealand Times 27 Dec. 1985.
  • Lamb, Jonathan. "The Uncanny in Auckland." And 4 (Oct. 1985): 32-45.
  • McCurdy, Claire-Louise. "Feminist Writer Renée: All Plays Are Political." Women's Studies Journal 1.2 (Apr. 1985): 61-72.
  • Renée discusses her introduction into writing and drama, tells of the impact of menopause, and her lesbian identity. She describes her plays Setting the Table, Secrets, Dancing, Asking for It, Groundwork and Wednesday to Come in detail and comments on her relationship with professional theatre in New Zealand and her current writing.
  • Blake, Maggie. "A Slice of 50’s Herstory." New Zealand Listener 29 Mar. 1986. No further details.
  • Findlay, Katherine. "Mid-Life Triumph." New Zealand Woman’s Weekly 9 Sept. 1986. No further details.
  • McLeod, Aorewa. "An Innocent’s Look At New Zealand Women Writers." Women’s Studies Journal 2.2 (Aug. 1986): 2-13.
  • "Mid-life Triumph." NZ Woman’s Weekly 9 June 1986: 48-49.
  • "Renée - New Zealand Playwright." In ‘Schools Supplement.’ Act 11.3 (June 1986): 29-32.
  • Stone, Deborah. "Women of Strength Essence of Renée’s Work." New Zealand Herald 15 Mar. 1986. No further details.
  • "Wednesday's Writer." NZ Listener 23 Aug. 1986: 24-25.
  • Beatson, Peter. "Pass It On: The Working Class Tradition." Proceedings of The New Zealand Sociological Conf. Massey University, Palmerston North, N.Z. 2-4 December, 1987. Palmerston North, N.Z.: Massey University, 1988. Rpt. in Race, Gender, Class 7 (July 1989): 17-30.
  • Evers, Sally. "Teaching about Trade Unions." PPTA Journal 3 (1987): 24-25.
  • Heckenberg, Pamela Payne and Tony Mitchell. "Interview: Renee." Australasian Drama Studies 10 (Apr. 1987): 21-28.
  • Leek, Robert. "Home-grown Drama of the Mid-eighties." JNZL: Journal of New Zealand Literature 5 (1987): 1-13.
  • Payne-Heckenberg, Pamela and Tony Mitchell. "Interview: Renée." Australasian Drama Studies 10 (Apr. 1987): 21-28.
  • Rosier, Pat. "Strokes and Art Attacks: Born To Clean." Broadsheet 150 (June-July 1987): 42-44.
  • Thompson, Mervyn. "Another Life." Auckland Metro 6.67 (Jan. 1987): 112-115.
  • Wichtel, Diana. "Bleak Smiles." New Zealand Listener 29 Aug. 1987: 62.
  • Wichtel interviews Elizabeth McRae who plays the part of Sandra in Renée’s film The Secret.
  • Beatson, Peter. "Passing It On." Sites: A Journal for Radical Perspectives on Culture 16 (Autumn 1988): 24-36.
  • Renée discusses with Peter Beatson her plays Setting the Table and Wednesday to Come, and talks about her impressions of the Depression, the 1951 watersiders' dispute, and her introduction into the women's movement.
  • Froud, Catherine. "Burns, Hodgkins Fellows Appointed." Otago Daily Times 26 Nov. 1988. No further details.
  • Leek, Robert. "New Drama ’86-’87: Various Shades of Laughter." JNZL: Journal of New Zealand Literature 6 (1988): 3-29.
  • Sabbage, Lisa. "No Skeletons Under The Table." Broadsheet 162 (Oct. 1988): 14-16.
  • Stead, C. K. "The Follies Of Our Ae: The New Victorians." Metro 8.92 (Feb. 1989): 118-124.
  • Beresford, Rosemary. "A Trilogy Complete." Listener & TV Times 13 Aug. 1990: 98.
  • Harris, Lee. "Renée." Broadsheet 181 (Sept. 1990): 36.
  • Renée discusses with Harris some of the writing projects she has been involved with since the latter part of 1988 when she travelled overseas to attend the first International Women's Playwright Conference in Buffalo, New York, and represented New Zealand at a Pacific writing conference in London.
  • McNaughton, Iona. "Dunedin Charms Fellows." Dominion Sunday Times 13 May 1990: 14.
  • Beresford, Rosemary. "Theatre." Listener 1 Apr. 1991: 56.
  • Dale, Judith. "Women’s Theatre And Why." Australasian Drama Studies 18 (Apr. 1991: 159-182.
  • Warrington, Lisa. "'A Life Long Affair': Renée's Writing for the Theatre: Commentary/Interview." Australasian Drama Studies 18 (Apr. 1991): 70-90.
  • "Scene & Heard." NZ Woman's Weekly 24 Feb. 1992: 56.
  • A brief discussion of Riwia Brown's play Nga Wahine and Renée's Te Ponaka Karaehe [The Glass Box]
  • Johnson, Stephanie. "Passing It On." Quote Unquote 7 (Dec. 1993): 28-31.
  • "Renée." New Zealand Official Yearbook. 1993. 245.
  • Smith, Charmian. "Suffrage Year Pageant To Celebrate Otago Women." Otago Daily Times 25 Feb. 1993: 26.
  • Swain, Pauline. "The Dark Side Of The Womb." Dominion 8 May 1995: 11.
  • Sayer, Susan. "Empire And Nation, Home And Family: Renée’s Does This Make Sense To You?" Span 42/43 (Apr./Oct. 1996): 162-173.
  • Sharp. Iain. "Crash Course in Kids’ Stuff." Sunday Start Times 27 Apr. 1997: E. 4.
  • Sayer, Susan. "The Postcolonial Lesbian Text: Readings of Four Novels by Renee." PhD Thesis, U of Waikato, 1998.
  • Williams, Susan. "Dressing for Dinner: Renee’s Literary Explorations of the Changing Roles Available to Strong Women in New Zealand Society." MA thesis. Massey University, 1999.
  • Barwick, Hamish. "Renée Taylor." Gisborne Herald 18 Sept. 2001: Sup.3.
  • Cardy, Tom. "My Generation." Dominion Post 27 May 2005: B7.
  • Dungey, Kim. "Novel Born Of Tragedy." Otago Daily Times 17 Nov. 2005: 37.
  • Parry, Lorae. "Meat And Potatoes." Playmarket News 35 (Autumn 2005): 6-7.
  • Thomson, Margie. "Out Of The Shadows." Herald on Sunday 22 Jan. 2006: Sup. 20-21.
  • Performing Arts

  • O It Ain't All Honey and It Ain't All Jam. Playmarket. No details.
  • A compilation of highlights from the theatre work of Gertrude Lawrence and Noel Coward. (Māori Women: An Annotated Bibliography. Kathie Irwin, Michelle Erai, Everdina Fuli and Lenaire Wilcox. [Wellington, N.Z.]: Michelle Erai, Everdina Ruli, Kathie Irwin and Lenaire Wilcox, 1991. 27).
  • What Did You Do in the War, Mummy? 1982.
  • This unpublished revue which focuses on issues of race, religion and rape, was directed by Renée and toured New Zealand in the Broadsheet Roadshow to celebrate its tenth birthday in 1982.
  • Breaking Out.
  • An unfinished play. (Ref. Māori Women: An Annotated Bibliography. Kathie Irwin, Michelle Erai, Everdina Fuli and Lenaire Wilcox. [Wellington, N.Z.]: Michelle Erai, Everdina Ruli, kathie Irwin and Lenaire Wilcox, 1991. 27).
  • Dancing. 1981. New Independent Lunchtime Theatre, 1983. No furtger details.
  • Renée writes 'Dancing is about four women, three of whom are older women and one of whom is going through what I was going through when I wrote it in terms of menopausal symptoms....The play has been done once as lunchtime theatre and it worked reasonably well but I've always thought that it really needs another form.' [Ref. McCurdy, Claire-Louise. "Feminist Writer Renée: All Plays Are Political." Women's Studies Journal 1.2 (Apr. 1985): 67].
  • Asking For It. 1983.
  • Renée's second feminist revue, which looked satirically at the medical profession, toured New Zealand in 1983. The first production was sponsored by Broadsheet Magazine, and was directed by Renée.
  • Setting The Table: A Play In Four Scenes. 1981. Wellington, N.Z.: Playmarket, 1984.
  • Renée writes of this play: 'I wanted to write something that showed women as witty and intelligent and hardworking, because all the women I know are like that, and I never saw any of them on stage. And I also had debated furiously with friends the question of the use of violence as a weapon, as a strategy, as an action, and it seemed to me that no one out there in the wider community had any idea of what feminists actually did and I wanted to show something of that too.' The play was first performed at the Mercury Theatre in Auckland in 1982 and directed by Aileen O’Sullivan. [Ref: McCurdy, Claire-Louise. "Feminist Writer Renée: All Plays Are Political." Women's Studies Journal 1.2 (Apr. 1985): 61-72.]
  • Wednesday to Come. 1984. Wellington, N.Z.: Victoria UP, 1985. Rpt. in 2001. An extract is rpt. in Te Ao Mārama: Contemporary Māori Writing. Comp. and ed. Witi Ihimaera. Contributing ed. Haare Williams, Irihapeti Ramsden and D. S. Long. Vol. 1: Te Whakahuatanga O Te Ao: Reflections of Reality. Auckland, N.Z.: Reed, 1992. 184-188.
  • The first of a trilogy of plays written by Renée and set in 1934 in the Depression. The other plays completing the trilogy are Pass it On (1986) and Jeannie Once (1990). In writing this play Renée states: 'I'd wanted to write about Mum and women like her and their strength and their survival.... I also wanted to have some generations on stage because I'd never seen any old women on stage and very few young ones.' This play was first performed at the Downstage Theatre in Wellington in 1984 and was directed by George Webby. [Ref: McCurdy, Claire-Louise. "Feminist Writer Renée: All Plays Are Political." Women's Studies Journal 1.2 (Apr. 1985): 68-69].
  • Pass It On. Wellington: Victoria UP, 1986. Rpt. 1994. An extract is rpt. in Te Ao Mārama: Contemporary Māori Writing. Comp. and ed. Witi Ihimaera. Contributing ed. Haare Williams, Irihapeti Ramsden and D. S. Long. Vol. 1: Te Whakahuatanga O Te Ao: Reflections of Reality. Auckland, N.Z.: Reed, 1992. 189-192.
  • Pass It On is the second play in Renée's trilogy. Based on the 1951 waterfront lock-out, the play explores the role of working class women, Communist Party members, and the shifting position of conservative Nell. The play was first performed at the Theatre Corporate, Auckland in 1986 directed by Roger McGill.
  • Born To Clean. Limbs Studio Theatre, Auckland, 1987.
  • Written and dir. Renée. Lyrics and music by Jess Hawk Oakenstar and Hilary King.
  • Belle's Place. (1988)
  • [Ref. Māori Women: An Annotated Bibliography. Kathie Irwin, Michelle Erai, Everdina Fuli and Lenaire Wilcox. [Wellington, N.Z.]: Michelle Erai, Everdina Ruli, kathie Irwin and Lenaire Wilcox, 1991. 27.]
  • Belle's Place. Unpublished play, 1988.
  • ‘It is Belle’s birthday and friends gather to celebrate.’ Not yet produced but is available in typescript from Playmarket, Wellington.
  • Secrets: Two One-Women Plays. 1981. Wellington, N.Z.: Playmarket New Zealand Theatrescripts, 1984. Later extended to three plays. Available in typescript from Playmarket, Wellington, in revised form (Rev. ed. 1989).
  • Renée writes that this play is a one-woman piece based on work by Miriam Saphira on the sexual abuse of children. The play was first performed at the Feminist Arts Festival at the Working Title Theatre in Auckland in June 1982 and was directed by Renée. The first half of the play has been filmed with Elizabeth McRae and directed by Diana Rowan. It now consists of three short plays entitled ‘Elsie’, ‘Sandra’, and ‘Gracie and Joy’. [Ref: McCurdy, Claire-Louise. "Feminist Writer Renée: All Plays Are Political." Women's Studies Journal 1.2 (Apr. 1985): 66-67].
  • Touch of the Sun. Globe Theatre, Dunedin, N.Z. 1990.
  • Written and dir. Renée.
  • Jeannie Once. Wellington: Victoria UP, 1991. Rpt. 1993. An extract is rpt in Te Ao Mārama: Contemporary Māori Writing. Comp. and ed. Witi Ihimaera. Contributing ed. Haare Williams, Irihapeti Ramsden and D. S. Long. Vol. 1: Te Whakahuatanga O Te Ao: Reflections of Reality. Auckland, N.Z.: Reed, 1992. 181-183.
  • This play set in Dunedin in 1879 describes the lives of women, both Pakeha and Māori, coming to terms with survival, personal tragedies and separation from their homelands. The play was first performed at the Fortune Theatre in Dunedin in June 1990 and directed by Lisa Warrington.
  • Missionary Position. Globe Theatre, Dunedin, N.Z. 1991.
  • Written and dir. Renée .
  • Te Pouaka Karaehe: The Glass Box. In Airborne: Radio Plays by Women. Winnipeg, Can.: Blizzard, 1991.
  • This 80-minute play was performed at Taki Rua Depot Theatre, Wellington in March 1992 during the International Festival of the Arts and was directed by Renée.
  • Groundwork. 1985. An extract is rpt. in Te Ao Mārama: Contemporary Māori Writing. Comp. and ed. Witi Ihimaera. Contributing ed. Haare Williams, Irihapeti Ramsden and D. S. Long. Vol. 1: Te Whakahuatanga O Te Ao: Reflections of Reality. Auckland, N.Z.: Reed, 1992. 192-197.
  • An unpublished play held by Playmarket. Renée writes that this play 'is about the effects of the 1981 Springbok tour on a group of women, and it's set in the cells at the central police station on the last day - the last test.' The first production was sponsored by Working Title Theatre Group at the New Independent Theatre in 1985 and directed by Hester Joyce.
  • Pink Sports and Mountain Tops. Dir. Renée. Dunedin College of Education Auditorium, 1992.
  • A play for children about ‘a little girl who wants to climb Aoraki.’ First production was at Dunedin College of Education Auditorium, 1992, directed by Renée.
  • Form. In Song of the Shirt: Three One-Act Plays for Young Actors. Paula Boock, Renée and Fiona Farrell. Dunedin: McIndoe, 1993. 44-72.
  • This is one of three one-act plays written for young actors. Form is set in a fifth form class at Kate Sheppard College and focuses on the cultural mix of New Zealand society and the underlying prejudices, fears and uncertainties expressed by the students. It was first produced at Queens High School, Dunedin, in 1990 and directed by Terry McTavish.
  • Heroines, Hussies & High, High Flyers. Dir. Lisa Warrington. Regent Theatre, Dunedin, N.Z. Sept. 1993.
  • Renée writes that this play is ‘a celebration of Otago women’s achievement; involves a mixture of classes and race.’ The pageant was commissioned by Zonta and Otago Early Settlers Association for Suffrage Year, and was performed at Regent Theatre in Dunedin in September 1993 and directed by Lisa Warrington.
  • Tiggy Tiggy Touch Wood. In Playlunch: Five Short New Zealand Plays. Ed. Christine Prentice and Lisa Warrington. Dunedin, N.Z.: Otago UP, 1996. 69-83. Rpt. in Intimate Acts: A Collection Of Lesbian Plays. New York, USA: Brito & Lair, 1996.
  • This short one-act play of four characters focuses on themes of entrapment and exposes the pervasive imposition of society's standards of normalcy upon those deemed different. It was commissioned for Allen Hall Lunchtime Theatre and was first performed in the Lunchtime Theatre series at Allen Hall Theatre at the University of Otago on 2 July 1992 and directed by Lisa Warrington.
  • Reviews

  • Rev. of The Life and Times of Rosie the Riveter, directed by Connie Field. Broadsheet 103 (1982): 44.
  • "In A Feminist Sense. " Rev. of New Zealand Herstory 1983, by Hamilton Women’s Collective. Broadsheet 105 (Dec. 1982): 46.
  • Rev. of Menopause, by Raewyn Mackenzie. "Menopause." Broadsheet 119 (May 1984): 42.
  • Rev. of The House of the Talking Hat, by J. C .Sturm. Broadsheet 119 (May 1984): 43.
  • Rev. of High Country Weather, by L. Edmond. Broadsheet 125 (Dec. 1984): 43. Rpt. in Wellington Cosmo (Feb. 1985): 72-73. Rpt. in New Outlook 14 (Jan./Feb. 1985): 43.
  • Rev. of Second-hand Children, by H. Marshall. Broadsheet 125 (Dec. 1984): 42-43.
  • Rev. of Haeata Herstory Diary 1985. Broadsheet 126 (Jan./Feb. 1985): 43+.
  • Rev. of The Windeater, by K. Hulme. Broadsheet 140 (June 1986): 44-45.
  • "Poems More Suited For The Stage Than The Page." Rev. of Colonial Landscape, by David Parkyn. Dominion 20 Oct. 1990: 9.
  • "Tuning Into Kath’s World." Rev. of Bad Music, by Sue McCauley. Dominion Sunday Times 12 Aug. 1990: 13.
  • "Years That Reverberate In 1990." Rev. of The Slump, by Tony Simpson; rev. of The Sugarbag Years, by Tony Simpson. Dominion Sunday Times 10 June 1990: 14.
  • "Theatre." Rev. of The Sleeping Beauty, directed by Warwick Broadhead. Listener 24 June 1991: 54.
  • Renée, Chris Orsman and Reece Walter. "Books." Rev. of Irish At Heart, by Marie Gray; The Diary As A Positive In Adult Female Behavious, by Vivienne Plumb; Crime in New Zealand, by Greg Newbold. Evening Post 17 Mar. 2000: 5.
  • Renée, Lynn McConnell and Peter Simpson. "Books." Rev. of A Dissolving Ghost, by Margaret Mahy; rev. of John Reid – A Cricketing Life, by Joseph Romanos; These Days, by Jenny Bornholdt; Birds of Europe, by Andrew Johnston. Evening Post 24 Mar. 2000: 5.
  • Daniell, Sarah, Renée and Michael Larsen. "Books." Rev. of Burnt Barley, by Peta Mathias; The Matter of Parihaka, by Edmund Bohan; Pig’s Blood, by Peter Robb. Evening Post 23 June 2000: 7.
  • Renée and Jim Weir. "Books." Rev. of Freda Startk: Her Extraordinary Life, by Dianne Haworth and Diane Miller; A Dictionary of New Zealand Political Quotations, ed. by Desmond Hurley. Evening Post 30 June 2000: 5.
  • Renée and Mark Houlahan. "Books." Rev. of Fantasy and Folly: The Lost World of New Zealand Musicals 1880-1940, by Peter Harcourt; Māori Battalion: A Poetic Sequence, by Alistair Te Ariki Campbell. Evening Post 8 Feb. 2002: 7.
  • Black, Joanne, John McCrystal and Renée. "Books." Rev. of John Banks: A Biography, by Paul Goldsmith; Creative Juices: New Writing, by Emma Neale; A Passing Guest, by Elspeth Sandys. Evening Post 15 Feb. 2002: 9.
  • Wevers, Lydia and Renée. "Books." Rev. of Billie’s Kiss, by Elizabeth Knox; Wednesday’s Child, by Val Bird. Evening Post 1 Mar. 2002: 7.
  • Renée and Kay Hancock. "Terminal Motel; P Is For Price." Rev. of Miles To Go, by Pauline O’Regan; Ready to Read and the PM Books, by Hugh Price. New Zealand Books 15.1 (Mar. 2005): 15-16.
  • "Unpick This." Rev. of Thrift To Fantasy: Home Textile Crafts Of The 1930s-1950s, by Rosemary McLeod. New Zealand Books 15.3 (Aug. 2005): 13.
  • "Seamless." Rev. of Stitch: Contemporary New Zealand Artists, by Ann Packer. New Zealand Books 17.3 (Spring 2007): 19.
  • Sound recordings

  • Te Pouaka Karaehe: The Glass Box. Canada. No details.
  • Real Life and Real Literature. In Family series. Prod. Elizabeth Alley. National Radio. No further details.
  • Setting The Table. National Radio, 1983.
  • Wednesday To Come. National Radio, 1985.
  • "Solo." National Radio, 1986.
  • Short Story
  • "Cross Stitch." National Radio, 1986
  • Short Story.
  • Renée: A Profile Of The Author. Wednesday To Come. Wellingon, N.Z.: Learning Media, Ministry of Education, 1991.
  • Sister to Dragons. Prod. and ed. Carol Dee. National Radio, 1994.
  • The Snowball Waltz. 1994. Prod. Steve Danby. National Radio, 1994.
  • Diversions for an Idle Hour. Prod. and ed. Carol Dee. National Radio, 1994.
  • A three-play series: My Name is Marama Kingi; Rugosa Roses are Very Hardy; and Dreaming in Ponsonby.
  • Hard and Unfamiliar Words. Prod. and ed. Carol Dee. National Radio, 1996.

    Other

  • La Hood, Marie. "Renée: A Bibliography." 18 Aug. 1989. No details.
  • A bibliography divided into the following categories: the plays, other theatrical works, first production and select performances, prose works, television scripts, radio productions,. screenplays, book reviews and articles by Renée, writing about Renée and her works, Renée Productions 1982-1989.
  • Erai, Michelle, Everdina Fuli, Kathie Irwin and Lenaire Wilcox. Māori Women: An Annotated Bibliography. [Wellington], N.Z.: Michelle Erai, Everdina Fuli, Kathie Irwin and Lenaire Wilcox, 1991. 27-28.
  • Reviews

    Asking For It.
  • Dunsford, Cathie and Joy Clement. "In A Feminist Sense." Broadsheet 110 (June 1983): 44.
  • White, Helen. Act 8.3 (June 1983): 32.
  • Born To Clean
  • Hunt, A. Agenda (Nov. 1987): 33.
  • Rosier, Pat. Broadsheet 150 (1987): 42-44.
  • Shaw, Vanya. "Arts: Women’s Experience, Honestly Shared." New Zealand Listener 1 Aug. 1987. 39.
  • Daisy and Lily
  • Chapman, Nicola. Evening Post 17 Sept. 1993: 5.
  • Cooper, Ronda. "Significant Subtleties." Metro (Auckland) 148 (Oct. 1993): 154-156.
  • Harper, Jenny (and others). Evening Post 17 Sept. 1993: 5.
  • James, Bryan (and others). Otago Daily Times 23 Oct. 1993: 22.
  • Johnson, Stephanie. More 125 (Nov. 1993): 146.
  • McLean, Gavin. "Books." Otago Daily Times 23 Oct. 1993: 22.
  • McLeod, Aorewa. "Plain Old Love." Listener 4 Sept. 1993: 50.
  • Murray, Heather. "A View of the Battle." Quote Unquote: New Zealand's Guide to Books And Other Pleasures 4 (Sept. 1993): 35.
  • Ogilivie, Meredith Anne. "Kaina, kaainga and aiga: the Home Experiences of Maarginalised Minority Characters as Depicted in Four New Zealand Novels by Polynesian Authors." MA Thesis, U of Auckland, 1998.
  • Probert, Elizabeth (and others). New and Notable: Books for the Secondary School Library 10.5 (Nov. 1993): 7-8.
  • Ranstead, Gillian. Landfall 186 (Spring 1993): 331-333.
  • Simpson, Rebecca. "Chanting Life And Death." New Zealand Books 3.2 (Spring 1993): 5.
  • Van de Veire, Heidi (and others). Dominion 6 Nov. 1993: 16.
  • Wong, Gilbert (and others). "Weekend Books." New Zealand Herald 2 Oct. 1993: 6.
  • Dancing
  • Guthrie, Elly. "In A Feminist Sense." Broadsheet 117 (1984): 45.
  • Does This Make Sense To You?
  • Arvidson, Ken (and others). Evening Post 28 Apr. 1995: 5.
  • "Books." Next 55 (Oct. 1995): 108.
  • Cooper, Ronda. "Bourgeois Boadicea." Metro (Auckland) 171 (Sept. 1995): 131-134.
  • Cunninghame, Pamela. "Runaway Success." Quote Unquote 26 (Aug. 1995): 30.
  • Keown, Michelle. Span 40 (Apr. 1995): 108-110.
  • Mann, Peter. Otago Daily Times 20 May 1995: 23.
  • Quigley, Margaret. "A Mother And Child Reunion Is Not Easy." Press 24 June 1995: Sup. 14.
  • Sayer, Susan. "Empire and Nation, Home and Family: Renee’s Does This Make Sense to You?" Span 42/43 (Apr./Oct. 1996): 162-173.
  • Sayer, Susan. "Hellfire and Queer Nation in Godzone." Ariel: A Review of International English Literature 30.2 (Apr. 1999): 119-139.
  • Somerville, J. S. (and others). Otago Daily Times 20 May 1995: 23.
  • Smith, Anna. Landfall 190 (Spring 1995): 363-365.
  • Swain, Pauline. "The Dark Side of the Womb." Dominion 8 May 1995: 11.
  • Van de Veire, Heidi. "Yes – And Thanks For Letting Us Know." Dominion 29 Apr. 1995: 16.
  • Webb, Gerry. "Pregnant Tale." Listener 24 June 1995: 55.
  • Worthington, Kim L. "The Haunt Of Guilty Memory." New Zealand Books 5.4 (Oct. 1995): 6-7.
  • Finding Ruth
  • Hebley, Diane. "Children’s Books: New Zealand Fiction: Telling Stories." New Zealand Listener 21 Nov. 1987: 82-83.
  • Suddens, Doreen. "Strokes and Art Attacks." Broadsheet 154 (Dec. 1987): 44.
  • Groundwork
  • Black, Sebastian. "Act Reviews." Act 10.3 (June 1985): 26.
  • Blaxland, W. Listener 110 29 June 1985: 52-53.
  • Morris, Paula. "Strokes and Art Attacks." Broadsheet 130 (June 1985): 44.
  • Heroines, Hussies & High Flyers.
  • Watson White, Helen. "A Celebration of Otago Women’s Achievements."
  • Review of the production in Regent Theatre, Dunedin, which was commissioned by Zonta for the 1993 Suffrage Centenary.
  • I Have to Go Home
  • New Zealand Books Dec. 1997.
  • Sharp, Iain. Sunday Star Times 27 Apr. 1997: E. 4.
  • Jeannie Once
  • Beresford, Rosemary. "Hopeful, Once." Listener & TV Times 13 Aug. 1990: 98-99.
  • Carnegie, David. Australasian Drama Studies 21 (Oct. 1992): 174-176.
  • Cooke, Patricia. "Jeannie Once Rounds Off Trilogy." Dominion Sunday Times 29 Sept. 1991: 20.
  • Dale, Judith. "The True Sexual And Racial Violence of (Post-) Colonial History." New Zealand Books 1.4 (Mar. 1992): 8.
  • Moffit, Di (and others). "Fiction." New and Notable: Books for the Secondary School Library 8.5 (Nov. 1991): 1-7.
  • Somerville, Alice Te Punga. "’Two Rivers Within Me Flow’: An Exploration of Mixed Race Writing in Aotearoa/New Zealand." MA Thesis, U of Auckland, 1998.
  • Tompkins, Joanne. "What We Want and What We Get: Renee’s Jeannie Once." Hecate (Special Aotearoa/New Zealand issue) 20.2 (Oct. 1994): 243-250.
  • Watson-White, Helen. "Renée Tackles Old Conflicts." Dominion Sunday Times 24 June 1990: 14.
  • Webby, George. "Writing Shines In Two Fine Plays." Evening Post 23 Aug. 1991: 5.
  • Kissing Shadows
  • Donald, Prue. "It Was In That House." Listener 18 Mar. 2006: 42.
  • Dungey, Kim. "Novely Born of Tragedy." Otago Daily Times 17 Nov. 2005: 37.
  • Morris, Paula and Catharina Van Bohemen. "Books." Dominion Post 19 Nov. 2005: Sup. 19.
  • Norman, Rosemary. "RED: Reading, Entertainment, Discussion." Booknotes 153 (Autumn 2006): 18-19.
  • Shaw, Tina and Hedley Mortlock. "Books." Rev. of Kissing Shadows, by Renée; Treasure Islands, by Pamela Stephenson. New Zealand Herald 3 Dec. 2005: Sup. 40-41.
  • Thomson, Margie. "Out of the Shadows." Herald on Sunday 22 Jan. 2006: Sup. 20-21.
  • Thomson, Margie. "Love And Damage." New Zealand Books 16.1 (Mar. 2006): 11.
  • Young, Kathy. "Strong Women To The End." Otago Daily Times 28 Jan. 2006: Sup. 6.
  • Let’s Write Plays.
  • Downie, John. "Wanted – Manuals For A Non-Logocentric Theatre." Illusions 31 (Summer 2000): 32-35.
  • Missionary Position
  • Watson-White, Helen. "Sex From The Bottom Of The Heap." Dominion Sunday Times 11 Aug. 1991: 25.
  • Pass It On
  • Beatson, Peter. Sites 16 (Aug. 1988): 24-36.
  • Black, Sebastian. Australasian Drama Studies 12/13 (1988): 190-195.
  • Corballis, Richard. Landfall 42 (Mar. 1988): 115-117.
  • Kelland, Andrea. "Strokes and Art Attacks." Broadsheet 138 (Apr. 1986): 44-45.
  • Leek, Robert. H. "Surveys, 1985-86: Homegrown Drama Of The Mid-Eighties." Journal of New Zealand Literature 5 (1987): 1-13.
  • Snow, T. Act 11.2 (Apr. 1986): 20-21.
  • Warner, Kirsten. New Zealand Herald Apr. 1986. No details.
  • Secrets
  • Hall, Sandi. "Feminist Eye." Broadsheet 102 (Sept. 1982): 46.
  • Sargisson, Julie. "Strokes and Art Attacks." Broadsheet 148 (Apr. 1987): 46-47.
  • Setting The Table
  • "Theatre of the Unheard." Broadsheet 98 (1982): 30-32.
  • Dunsford, Cathie. "In A Feminist Sense." Broadsheet 107 (Mar. 1983): 45-46.
  • Neill, Michael. Act 7.6 (Dec. 1982): 64-66.
  • Quin, Diane. "In A Feminist Sense." Broadsheet 117 (Mar. 1984): 46.
  • Song of the Shirt: 3 One-act Plays for Young Actors
  • Connell, Judith. Otago Daily Times 11 Sept. 1993: 20.
  • Hill, David. Dominion 17 Apr. 1993: 12.
  • New & Notable 10.4 (Sept. 1993): 13-16.
  • Te Pouaka Karaehe (The Glass Box)
  • Atkinson, Laurie. "90s Noras Forced To Face Past." Evening Post 20 Mar. 1992: 10.
  • Cooke, Patricia. "Gentle Threads Of Spirituality." Dominion Sunday Times 5 Apr. 1992: 12.
  • "Scene & Heard." N.Z. Woman's Weekly 24 Feb. 1992: 56.
  • The Secret
  • Bell, Ali. Rev. of The Secret, in "Strokes and Art Attacks." Broadsheet 152 (1987): 43-44.
  • Review of a play screened on television that was based on Renée’s Secrets. (Prod. and dir. Diana Rowan, TVNZ.)
  • The Skeleton Woman
  • Boock, Paula. "Holding The Baby." New Zealand Books 13.1 (Mar. 2003): 16-17.
  • Corney, Robin. "Confronting the Brutal Honesty of Bare Bones." Dominion 6 July 2002: Sup.7.
  • Jaquiery, Stephen and David Sovka. "Books." Otago Daily Times 1 June 2002: B6.
  • Larsen, Michael (and others). "Weekend Books." New Zealand Herald 3 Aug. 2002: G6-7.
  • McCrystal, John. "The Best Of Books, Music and Film: New Zealand Books." North and South 196 (July 2002): 98-99.
  • Nichol, Ruth (and others). "Books." Evening Post 21 June 2002: 9.
  • Stunzner, Inga. "The One About The Lesbian And The Baby." Listener 1 June 2002: 64.
  • The Snowball Waltz
  • Bartlett, Carol. "Take Your Partners." Express: New Zealand’s Newspaper of Gay Expression 11 Dec. 1997: 19.
  • Charman, Janet. "Books." Evening Post 19 Sept. 1997: 5.
  • Christensen, Margaret. "Not Too Far From Home." Wairarapa Times Age 24 Jan. 1998. No further details.
  • Cooper, Ronda. "Granny’s Myth." Metro 196 (Oct. 1997): 108-111.
  • Drager, Maire. "Book A Challenge To Our Complacency." Napier Daily Telegraph 1 Nov. 1997. No further details.
  • Hilford, Rachel. "With Us Or Against?" Listener 13 Dec. 1997: 46.
  • Lay, Graeme. "The Best Of Summer Books." North and South 142 (Jan. 1998): 124-129.
  • MacKenzie, Joy. "Books." Sunday Star Times 26 Oct. 1997: E6.
  • Pickering, Helen. "Stepping Out Into Revenge." Timaru Herald 10 Jan. 1998. No further details.
  • Thwaites, Patricia. "Happily Hooked On Renée." Otago Daily Times 29 Nov. 1997: 25.
  • Ward, Kay. Southland Times 15 Nov. 1997. No further details.
  • "Weekend Books." New Zealand Herald 25 Oct. 1997: G. 6.
  • Worthington, Kim. "Familiar Contours." New Zealand Books 7.5 (Dec. 1997): 8-9.
  • Touch of the Sun
  • Atkinson, Laurie. "No Suprises in Touch of the Sun." Evening Post 18 Apr. 1992: 16.
  • Beresford, Rosemary. Listener 1 Apr. 1991: 56.
  • Fidler, Megan. Broadsheet 186 (Apr. 1991): 39. Rpt. in Broadsheet: Twenty Years of Broadsheet Magazine. Comp. and introd. Pat Rosier. Auckland, N.Z.: New Women's Press, 1992. 302-303.
  • Rae, B. New Zealand Herald 18 Feb. 1991: 10.
  • Wednesday to Come
  • Atmore, Chris. Broadsheet 124 (Nov. 1984): 44. Rpt. in Broadsheet: Twenty Years of Broadsheet Magazine. Comp. and introd. Pat Rosier. Auckland, N.Z.: New Women's Press, 1992. 295.
  • Black, Sebastian. "Reviews." Australasian Drama Studies 12/13 (1988): 190-195.
  • Coney, Sandra. "Depression Lives On Stage." Broadsheet 121 (July/Aug. 1984): 46.
  • J. C. R. "Book Note." Landfall 40 (Sept. 1986): 402-403.
  • Murphy, James. "'Wednesday to Come', by Renée." No details.
  • Review of a performance in Regent Theatre, Greymouth in Sept. 17-25.
  • Lynch, Murra. "Wednesday To Come." [sound recording]. Auckland A/V Centre, University of Auckland, 1987.
  • Owens, J. Untold 4 (Spring 1985): 61.
  • Shaw, Peter. "Wednesday To Come – A Play For All New Zealanders." Auckland Metro: New Zealand’s First City Magazine 43 (Jan. 1985): 28-29.
  • Simpson, Rebecca. Listener 108 22 Sept. 1984: 37.
  • Thomson, John. Act 9.5 (Oct. 1984): 56-58.
  • Willy Nilly
  • Adeane, Jean. "Raising The Shutters On Suburbia." Dominion 5 May 1990: 7.
  • Ash, Susan. "Books: Mismatch Of Farce And Drama At An Oddball Wedding." Evening Post 19 May 1990: 28.
  • Cunningham, Pamela. "Diverse Guises Blend Into Interesting Novel." New Zealand Herald 26 May 1990: 6.
  • Dominy, Michele D (and others). "Reviews." Landfall 45.3 (Sept. 1991): 363-384.
  • Jagose, Annamarie. "Local Accents." Listener 16 July 1990: 112.
  • Minehan, Mike. "Characters That Live." Press 7 July 1990: 28.
  • Patterson, Betty. "Fiction." New and Notable: Books For The Secondary School Library 7.5 (Nov. 1990): 7.
  • Roberts, Heather. Landfall 45.3 (Sept. 1991): 370-373.
  • Rosier, Pat. "Three New New Zealand Novels." Broadsheet 178 (1990): 37-38.
  • Stafford, Jane. "Capacity To Love Binds Characters." Dominion Sunday Times 13 May 1990: 19.
  • Yin and Tonic: Comic Writings
  • Fitchett, Sue, and Carol Bartlett. "Tonic and Tennis." Express: New Zealand’s Newspaper of Gay Expression 29 Oct. 1988: 17.
  • McLean, James (and others). Evening Post 2 Oct. 1998: 5.
  • Somerville, Bryn (and others). "Weekend Books." Press 5 Dec. 1998: Sup. 15.
  • Welch, Denis. "Clayton’s Books?" New Zealand Books 9.2 (June 1999): 5.