Karen Louise Sidney

Rongowhakaata, Te Aitanga a Māhaki, Ngāti Kahungunu

1963 -



Karen Sidney was born in Christchurch and was educated at Campbells Bay Primary School and Rangitoto College. She has graduated with a B.A. in Māori and Anthropology from Auckland University in 1984. Also in 1984, she attended a course called "Introduction to Media for Māori Women" through W.E.A. (Workers Educational Association). She then went into freelance film work. She did a short film-making course called "Film Wananga" for young Māori; this course was run by Barry Barclay, Cherie O’Shea and Pacific Films at the Taradale Community College, Hawkes Bay in 1985. She was awarded a creative film and video grant from the QEII Arts Council. She moved to Wellington in 1986 and did some tukutuku weaving at Nga Herenga Waka Marae at Victoria. She then did freelance film and video work and worked as a co-ordinator for a Māori Communicators Association called Te Manu Aute. In 1987 she went overseas for a couple of years and attended the first world Indigenous Film Festival at Pincher Creek, Alberta, Canada. On her return to Auckland in 1989, she set up a business partnership called Kauru Productions with Chris McBride. Her role in the business involved design and print production, video/film development and production, publicity, research, video/film distribution and internet web site design. In 1992 she went to the Mondial Festival in Brussels, Belgium where she co-ordinated He Taonga I Tawhiti school productions and other Māori videos. She also attended the Dreamspeakers’ Festival in Edmonton, Canada in 1992 and 1994, and the Festival of South Pacific Arts, in Rarotonga in 1992 and Samoa in 1996. She continued with film work in 1992 and attended the Te Reo Māori Summer School at Carrington Polytechnic. This course covered functional language, extension of karakia, whaikorereo, waiata, marae complex, Māori values and contemporary Māori issues. In 1993 she attended a production management course, Te Ara Whakaata, which gave her full grounding in production management for drama and documentary. In 1993, she set up a business partnership initially with Gabrielle Huria, and now with Chris McBride; the business is called Potiki Films Ltd. Her role in this partnership is video/film/television project development and production, research, video/film distribution. She has been a representative on various committees, Te Manu Aute, the Wellington branch and National Association of Māori Communicators from 1986-87, Te Manu Aute/Te AraWhakaata, the Association of Māori Communicators, Auckland branch from 1990-94, Te AraWhakaata, Te Waka Toi (Māori Arts Council) film and video subcommittee from 1990-94, and Nga Aho Whakaari the Association of Māori film/video/tv workers from She began writing stories, poetry and plays as a child. In the early 1990s she began writing for Ears and wrote stories for children. Her children’s stories won a Te Atairangikaahu writers’ award in 1993. In 1994 she attended a Writing in Pictures, N.Z. Writers’ Guild course and in the same year won the Alanis Ombomsawin award in Canada for Kahu and Maia. This award was sponsored by the National Film Board of Canada for outstanding contribution to the advancement of Aboriginal Filmmaking. She wrote and directed the preschool children’s television programme You and Me. Her film credits include work on The Silent One, Ngāti, Mauri, Inaka, Kimi and the Watermelon and Kahu and Maia.

Biographical sources

  • Correspondence from Karen Sidney, 14 Aug. and 14 Sept. 1998.
  • Te Ao Mārama: Contemporary Māori Writing for Children. Comp. and ed. Witi Ihimaera. Contributing ed. Haare Williams, Irihapeti Ramsden and D. S. Long. Vol. 4: Te Ara o Te Hau: The Path of the Wind. Auckland, N.Z.: Reed, 1994. 342.

    Fiction

  • "Witches Britches." Te Ao Mārama: Contemporary Māori Writing for Children. Comp. and ed. Witi Ihimaera. Contributing ed. Haare Williams, Irihapeti Ramsden and D. S. Long. Vol. 4: Te Ara o Te Hau: The Path of the Wind. Auckland, N.Z.: Reed, 1994. 163-164.
  • A story about Hārata’s enthusiasm for a new pair of witches britches. This story was broadcast on Ears on National Radio in 1993.
  • "Kara’s Move." Te Ao Mārama: Contemporary Māori Writing for Children. Comp. and ed. Witi Ihimaera. Contributing ed. Haare Williams, Irihapeti Ramsden and D. S. Long. Vol. 4: Te Ara o Te Hau: The Path of the Wind. Auckland, N.Z.: Reed, 1994. 204-207.
  • A story about Kara’s move from Gisborne to Auckland, N.Z. and a description of different incidents in her life in Gisborne.
  • Films/Video

  • The Silent One. Gibson Group. 1984-85.
  • Karen Sidney was the co-ordinator in this East Coast roadshow.
  • Heart Of The High Country. Phillips-Whitehouse. 1985.
  • Karen was art department co-ordinator for this production by designer Maurice Cain of London and art director Dan Hennah.
  • Time for Bed. Dir. Matt Murphy. Murphy Productions. 1985.
  • Karen was Art Department Assistant for this production by director Matt Murphy and designer Gaylene Preston.
  • Ka Mate, Ka Mate. Pacific Films. 1985.
  • Karen was Assistant Director for this production directed by Barry Barclay, written by Tama Poata and produced by John O’Shea.
  • Ngata. Pacific Films. 1985-1986.
  • Karen was Director’s Assistant in this production directed by Barry Barclay, written by Tama Poata, and produced by John O’Shea.
  • Te Herenga Nga Waka Marae. Victoria University. 1986.
  • Te Manu Aute. Association of Māori Communicators. 1986.
  • Karen was co-ordinator/secretary for this production.
  • Urewera. Dir. Barry Barclay. Ed. Simon Reece. Television New Zealand. 1986-87.
  • Karen was assistant editor in this production directed by Barry Barclay and edited by Simon Reece.
  • Mauri. Dir. and prod. Merata Mita. Awatea Films. 1987.
  • Karen was art department co-ordinator and stand-by for props in this production produced and directed by Merata Mita, designed by Ralph Hotere and directed in arts by Arnold Wilson and Piripi Taratoa.
  • Ngāti Premiere. Pacific Films. 1987.
  • Karen was co-ordinator for this production.
  • Maccess. Dir. Joanna Paul. Prod. Mike Bird. Visibility Video. 1987.
  • Karen was production manager for this production directed by Joanna Paul and produced by Mike Bird.
  • First Language. Dir. Jeff Bear. 1988.
  • Karen was researcher and production assistant for this production directed by Jeff Bear for the Assembly of First Nations in Ottawa, Canada.
  • Juana la Huricana. Dir. and prod. Karen Sidney. Karu Productions. 1988.
  • Karen was producer/director of this production of Hurricane Joan which devastated Nicaragua in October 1988. This film was made for the Nicaragua Solidarity Campaign, London.
  • Healing the Wounds. Dir. and prod. Karen Sidney. Karu Productions. 1988.
  • Karen was producer/director for this production of a story of the Lionel Rugama school for war-wounded. This was made for the Nicaragua Solidarity Campaign in London.
  • Victory Belongs To Love. Karu Productions. 1989.
  • Karen was producer/director for this production of the Trade Union Study Trip to Nicaragua, which was made for the Nicaragua Solidarity Campaign in London.
  • McCormick Country. Country Production (Ser. 1 and 2). 1989.
  • Karen was a cable-puller in this production.
  • NZ 2000. Prod. John Harris. Communicado. 1989.
  • Karen was researcher for this production produced by John Harris and also researched by Mark Beasley.
  • Treat It Right. Maidment Theatre. 1990.
  • Karen was involved in publicity with this production.
  • Marae. Dir. Peter Turei. Kiwa Films. 1990-1991.
  • Karen was production manager and off-line editor for this production directed by Peter Turei and produced for the Historical Places Trust and Te Waka Toi.
  • You and Me. Writ. and dir. Karen Sidney. Executive prod. Rex Simpson. Prod. Julie Weatherall. KTV. 1992.
  • Karen wrote, directed and researched this production with executive producer: Rex Simpson and producer: Julie Weatherall.
  • Ears. Radio New Zealand. 1992-94.
  • Karen was a writer for the National Radio children’s programme.
  • Kimi Me Te Merengi. Dir. Peter Evans. Prod. Owen Hughes and Shereen Maloney. Frame Up Films. 1993.
  • Karen was trainee director and assistant editor for this production produced by Owen Hughes and Shereen Maloney and directed by Peter Evans.
  • Te Ra Whanau. Writ. and dir. Karen Sidney. Prod. Shereen Maloney. Ragdoll Productions; Frame Up Films. 1993.
  • Karen was director/writer for this production by producer Shereen Maloney, as part of the international series, for Ragdoll Productions in England.
  • Mau! Ka Ora Koe. Writ., dir, and prod. Karen Sidney. Potiki Films. 1993.
  • Karen was producer/director and writer for this production for the Auckland Area Health Board.
  • Kahu and Maia. Dir. David Blyth. Writ. Karen Sidney. Executive prod. Don Selwyn. Prod. Ross Jennings. He Taonga Films. 1993.
  • Karen was a writer for this production with executive producers: Don Selwyn, and Ross Jennings and director: David Blyth.
  • A Whaler’s Tale. Dir. Haunui Royal. Prod. Karen Sidney, Gabrielle Huria and Allison Webber. Potiki Films. 1993-94.
  • Karen was producer/production manager and researcher with producer/researcher Gabrielle Huria and consulting producer Allison Webber and director Haunui Royal for this production.
  • Ta Moko. Dir. Haunui Royal. Executive Prod. Caterina De Nave. Prod. Karen Sidney, Gabrielle Huria and Don Selwyn. Potiki Films. 1994.
  • Karen was producer/production manager and researcher for this production with producer Gabrialle Huria, consultant producer Don Selwyn, executive producer Caterina De Nave and director Haunui Royal.
  • Dreamsharers. Prod. and dir. Karen Sidney. Prod. Gabrielle Huria. Potiki Films. 1994.
  • Karen was producer/director with producer/radio producer Gabrielle Huria, in recording the ongoing project at Takahanga Marae, Kaikoura, for Te Waka Toi.
  • Taniwha. Dir. Derek Thompson. Prod. Karen Sidney and Andrew Moffatt. Wintermute/Potiki Films. 1996.
  • Karen was producer with Australian producer Andrew Moffatt and director Derek Thompson in this production.
  • Kakahu 1 and 2. Dir. karne Sidney. Prod. Puhi Rangiaho. ATN. 1996.
  • Karen was director and researcher with producer Puhi Rangiaho for this production.
  • Epitaph. Dir. Brendon Butt and Graham Ralphs. Prod. John Harris. Greenstone Pictures. 1997.
  • Karen was researcher with producer John Harris, directors Brendon Butt and Graham Ralphs for this production.
  • Poste Haste. Dir. and prod. Lisa Reihana. Prod. Karen Sidney. Writ. Hinemoana Baker. Reihananimations. 1997.
  • Karen was producer and production manager with producer/director Lisa Reihana and writer Hinemoana Baker for MONZ for this production.
  • Tikitiki. Dir. and prod. Paora Maxwell. Writ. Wena Tait and Katerina Mataira. Te Ara Tai Production. 1997.
  • Karen was script assistant with producer/director Paora Maxwell and writers Wena Tait and Katarina Mataira for this production.
  • Epitaph. Prod. John Harris, Phillipa Mossman and Paul Gittens. Greenstone Pictures. 1998.
  • Karen was Researcher with Producers John Harris, Phillipa Mossman and Paul Gittins for this production.
  • Non-fiction

  • "Revolution Media." Independent Media (UK). 1989. No further details.
  • Issues arising from the media coverage, of interior and exterior Nicaragua, during the time of Hurricane Joan in October 1988.
  • "Kua Tae Mai Te Wa A Te Tangata Whenua." Independent Media (UK). 1989.
  • Discussing issues concerning the control of media and the first World Aboriginal Motion Picture Festival in Pinchr Creek, Canada in 1987. To be published in an anthology of Pacific Women Writers Publication edited by Teresia Teaiwa and Hinano Compton of the University of California, Santa Cruz.
  • Te Manu Aute. 1992-94.
  • This magazine was edited, and collated by Karen for ‘Te Ara Whakaata’ filmmaking committee on Te Waka Toi.
  • "Aboriginal Voices." 1996.
  • Articles in Canadian-based indigenous magazine on Arts and Media. Articles on Māori Radio and Māori Artists.
  • "Fa’a Samoa; Just Like A Twister; You Have To Go With The Flow." Mana Magazine: The Māori News Magazine For All New Zealanders 14 (Sum. 1996/1997): 42-47.
  • Co-authroed with Stephen Knight.
  • "Barry Barclay, 1945-2008." Mana:The Māori News Magazine For All New Zealanders 83 (Aug./Sept. 2008): 6-8.
  • Two tributes by Karen Sidney and Katherine Findlay to Barry Barclay.
  • Other

  • Wog Features. 1990. No details.
  • Written for use by Lisa Reihana in publicity of her eight minute animated video of the same name, dealing with race and gender issues.
  • Performing Arts

  • Kahu and Maia. Dir. David Blyth. Writ. Karen Sidney. Executive prod. Don Selwyn. Prod. Ross Jennings. He Taonga Films. 1993.
  • One-hour drama.
  • Poetry

  • "Pāpā-koro’s Tokotoko." Te Ao Mārama: Contemporary Māori Writing for Children. Comp. and ed. Witi Ihimaera. Contributing ed. Haare Williams, Irihapeti Ramsden and D. S. Long. Vol. 4: Te Ara o Te Hau: The Path of the Wind. Auckland, N.Z.: Reed, 1994. 293-294.
  • A child’s perspective of a tokotoko that comes alive when Pāpā-koro uses it on the marae.

    Other

  • Bidois, Eliza. "Four New Voices." Mana: The Māori News Magazine for All New Zealanders 6 (July/Sept. 1994): 56-58.
  • "Nga Puna Māori Drama." Te Māori News 3.13 (July 1994): 23.
  • Reviews

  • Nice Coloured Girls. Independent Media (UK). London: Documentary Video Associates Ltd, England, 1988. No further details.
  • A review of the film, by the same name, and other work of Australian Aboriginal filmmaker Tracey Moffat.